“Street Chronicles” Group Exhibition at UrbanBreak, Seoul, South Korea – StreetArtNews

Home / “Street Chronicles” Group Exhibition at UrbanBreak, Seoul, South Korea – StreetArtNews
“Street Chronicles” Group Exhibition at UrbanBreak, Seoul, South Korea – StreetArtNews


Urban & Street Art Fair, URBAN BREAK 2022, marks its third anniversary this year. URBAN BREAK drew attention with 15,000 people attending in 2020, the first year alone. Last year, despite COVID-19 at its peak, 40,000 people visited the fair, thereby solidifying its status as one of the most prominent fairs.

Rom Levy, director of StreetArtNews, co-planned the Special Exhibition of International Street Artists. Entitled Street Chronicles, the exhibition is showcasing the works of artists who were the pillars of street art techniques, concepts and different styles.

STREET CHRONICLES retraces a side of Urban Art history bringing the streets of NYC and London to Seoul.

Street art was considered vandalism when protesters during wars and political corruptions used the walls of their cities to comment on political and social issues with slogans and graffitis. What was initially regarded as vandalism has since become a significant art form. Murals and other forms of street art are renowned for their beautification of cities, raising awareness, and standing as witnesses to history.

This proposal includes Banksy, whose identity remains anonymous to the day. His politically charged works provoke alternative viewpoints, encouraging revolution in the art world, making him one of the most controversial street artists. Banksy’s work has been breaking down the boundaries and expectations of street art critics, using many different street art mediums and styles. Banksy began his graffiti practice inspired by Blek Le Rat, one of the most prominent artists in Street Art. Inspired by what he saw in New York during his visit in 1971, Blek Le Rat started creating artworks across the streets of Paris in 1981. He primarily used stencils in his practice. His first stencils were black rats running along the walls throughout Paris. In 1983 he began to paint life-sized stencils, which became his trademark alongside his rats and have influenced generations of street artists worldwide.

Also included are other notable Urban artists such as D*Face, Shepard Fairey and Invader, who all contributed to the development of the art styles and mediums. Alongside artists from the newer generation who weave the connection between street art and the wave of the new contemporary, such as Roby Dwi Antono, Andrew Hem, Lonac and Andrew Schoultz. Their work bridges contemporary art aesthetics with illustrative figuration. For example, Andrew Hem incorporates atmospheric and richly textured narratives in a vivid palette of twilight blues invigorated by fields of deep red and specks of golden light. Spirits are evoked through the visionary presentation of remembrances and dreams of his haunting impressions of civilisation and landscapes. While Andrew Schoultz’s work has a visual approach to social and political commentary. His enormous murals, paintings, installations and sculptures are heavily patterned, creating an intense and mesmerising vision of current events.

Street art is dedicated to bringing art to the people, raising awareness about political and social issues, and portraying the truth of reality.

‘I want the characters of the paintings to walk out of the museums to give them back to the people of the city.’ -Blek Le Rat.

Tickets for URBAN BREAK 2022 are sold at KRW 20,000 for general admission and at KRW 100,000 for VIP admission. Those who have purchased VIP tickets can enter early from 12:00 pm to 3:00 pm prior to the exhibition to be open on July 21st, 2022, at 3:00 pm. Venue will be at COEX Hall B, Seoul, South Korea.

You can book your tickets to this year’s Urban Break at their website.





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