Last month, artist and recent Nomad MFA alum sTo Len was named artist-in-residence with the New York City Department of Sanitation as part of the NYC Public Artists in Residence (PAIR) program, which embeds artists in city agencies to envision creative solutions to pressing civic challenges. sTo was invited to bring appreciation to the Department of Sanitation’s critical but often invisible workforce that makes life in New York City possible.
Nomad’s students and alumni are from around the world and represent a diversity of disciplines, including socially-engaged work, sculpture, public art, art and healing, eco art, and performance. A partial list of faculty includes Mark Dion, Christy Gast, Hope Ginsburg, Muriel Hasbun, Pablo Helguera, Seitu Jones, Camila Marambio, Mary Mattingly, program founder Carol Padberg, Allison Smith, Nico Wheadon, Linda Weintraub, and Caroline Woolard.
The Nomad graduate program is an interdisciplinary field-based Low Residency MFA with residencies at sites throughout the Americas, from Coatepeque, El Salvador to Miami, Florida and St. Paul, Minnesota. This winter, Nomad will visit New Mexico to work with ceramics and weaving alongside Roxanne Swentzell in the Santa Clara Pueblo and to co-create blueprints for resilient food systems with SeedBroadcast in Anton Chico. The residency will be completed in Carrizozo, New Mexico.
This accredited MFA prioritizes developing skills for the new economy with a local ethos and an understanding of ecological principles. Coursework addresses ethical social engagement, ecology, and craft. The pedagogy encompasses a mix of learning modalities including analytical seminars and critiques, collaborative art processes, and hands-on workshops. Between these residencies, students develop their work with a mentor through online meetings. The entire program lasts 26 months.
To learn more, visit nomadmfa.org.
Noisy Autumn: Sculpture and Works on Paper, which publishes November 16, includes essays by Carlo McCormick, Amy Lipton, Nina Felshin, Bob Holman, and Lucy R. Lippard.
Each piece is a record of the artist’s position, movements, and sensations during artmaking, from aches and temperature shifts to the rise and fall of his chest with each passing breath.
Art historian Jenni Sorkin surveys the history of visual art in California from the early 20th century to the present.
The nonprofit has provided $5.1 million in grants and fellowships across the United States. Craft enthusiasts can help make a difference by contributing to the organization.
With growing calls for repatriation of colonial era objects and against illegal trafficking of antiquities, hiding them away from public view in a chamber of secrets is doubly unethical.
Funding options include the Arthur A. Schomburg Fellowship Program, full-tuition scholarships for MFA students, and additional opportunities for MA students.
In this award-winning cinematic omnibus, the acclaimed director reimagines an archive of the Black experience through original visions of a radical past.
As long as wars have been fought, wars have needed to be sold. And just like with weapons, the US armed forces have long been on the cutting edge of propaganda.
The sculpture is paired with contemporary photographs by Ilaria Sagaria in an Uffizi exhibition about violence against women.
Those who do not know the past are doomed to repeat it.